Tuesday, November 25, 2008
Friday, November 21, 2008
Wednesday, November 19, 2008
Friday, November 14, 2008
Wednesday, November 05, 2008
Tuesday, November 04, 2008
Monday, November 03, 2008
Thursday, October 30, 2008
New Paintings
Where a Field Would Be, 2008, acrylic on canvas, 42x42 inches. 
Jill's House and Mine, 2008, acrylic on canvas, 42x42 inches.Sunday, October 26, 2008
Wednesday, October 01, 2008
Saturday, September 27, 2008
Friday, September 26, 2008
Mary Heilmann: Some Pretty Colors Thursday, September 18, 2008
Thursday, September 11, 2008
Meikle Gardner @ Serrano Contemporary, NYC
Meikle Gardner, Morphogenesis, oil on canvas, 42x56 in. © the artist.I just got back from Manhattan, attending Meikle Gardner's opening @ Serrano Contemporary in Chelsea.
The opening was packed and Meikle's work looked great. This is Meikle's first exhibit in NYC and he gave an exceptional accounting of himself!
The show runs until October 14.
547 W. 27th St. 5th Floor
New York, NY 10001
Saturday, September 06, 2008
Friday, September 05, 2008
Sunday, August 31, 2008
Sunday, August 24, 2008
Peter Jones Quote
"A work of art, it seems to me, is basically something physical, inspired by an emotional impulse. It is personal, self sufficient and, though primarily made for the needs of its creator, available to all.
Feelings give birth to the work of art and afterwards the response of the viewer will be affected by the viewer's own feelings. Ultimately the work can only be judged by feeling and not analysis.
Unfortunately technique is the easiest thing to respond to and is often used as a yardstick for judgment.
Meanings too, although part of a work of art, are only the starting point; the value of the work lies in its complex whole.
All of which suggests to me that both access to and assessment of a work of art can come only through familiarity and sympathy."
Peter Jones 22-1-97.
Feelings give birth to the work of art and afterwards the response of the viewer will be affected by the viewer's own feelings. Ultimately the work can only be judged by feeling and not analysis.
Unfortunately technique is the easiest thing to respond to and is often used as a yardstick for judgment.
Meanings too, although part of a work of art, are only the starting point; the value of the work lies in its complex whole.
All of which suggests to me that both access to and assessment of a work of art can come only through familiarity and sympathy."
Peter Jones 22-1-97.
Friday, August 22, 2008
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